Supporting Education for Children

Handwoven wool bags
student scholarship

One of the students supported through the scholarship program

My focus through is on bringing new trade opportunities to indigenous artisans, but I also have a huge concern for education. While trade is important for adults to bring their families out of poverty, to break the cycle of poverty there also needs to be a focus on education for children.

Education Amongst Artisans

Often the women that I work with, women between 25 and 45, have had less than 5 years of education in the public school system. Some have had none. The village schools that they went to often failed to give these women the fundamentals of reading and writing. The math of calculating their profit margin is extremely difficult for them. They are taken advantage of because they do not know their base costs, don’t consider the cost of their labor and don’t take any overhead into account.

Scholarship Program

To help support education, gives a portion of its earnings to a scholarship program that works with disadvantaged youth in the Cotacachi, Ecuador area. I also give my time to the program as a volunteer on the board. It’s a working board, so I am working directly with the children, handing out scholarships, raising funds and preparing financial statements. The children that the fund works with are often from single parent homes, sometimes from artisan families.

The following interview was done by a student working on her doctorate (thanks Kristin!). She met with a woman who works on hand woven bracelets (check out Her son David is in the scholarship program. From this interview the need for the program is clear.

Close up of the creation of hand woven bracelets

Close up of the creation of hand woven bracelets

Interview with Scholarship Fund Recipient

It’s the middle of April, 3pm on a Friday. We are in the community of Cumbas Conde on the southern flanks of Mt. Cotacachi. The sun is blazing, the wind is blowing dust through the hot dry air, we have been here since 7am, and we are weary. María Josefina invites us to sit down on a woven mat in the shade of her front patio. She knows that we have come to ask her about the program, and she has been waiting for us with boiled corn and potatoes.

We’ve come prepared with demographic, socio-economic, infrastructural and agricultural surveys, as well as an exhausting list of qualitative questions about her perceptions of the program. As with the other parents we have surveyed, we want to understand the life context in which her family lives, and in which the scholarship contributes to their wellbeing. We also want to know how she uses the money, how it helps, and how she thinks we can improve the program.

We organize ourselves – backpacks, surveys and recorder – among the heaping bowls of corn and potatoes that she has placed before us. She sits down opposite us on the mat, and her three youngest children approach timidly and sit beside her, shooting us curious glances and shy smiles when not otherwise hiding their faces. They are three girls: Isabel, age 12; Marleny, age 10; and Jisela, age 7.

As we settle in and begin to peel the skin back from our potatoes, she starts to speak:

“You know, I am really thankful for the scholarship because I am alone now. My husband died five years ago and I have my children and I am the only person to support them. I am alone to support them, and more than anything, this scholarship helps me because without it, my son would not be studying.”

Hand Woven Bracelet Artisan

This artisan from Morochos makes handwoven friendship bracelets

Her son is David. He is 16 years old; handsome, respectful, articulate, quiet but sociable. He has been in the program for 3 years. Having just returned home from school, he now joins us.

“Hey, when do you graduate?”

“In three more years” he says.

“And then what?”

We watch his eyes dim and his smile fade as he replies, “I would like to go university, if only it were possible, but it isn’t.” He shrugs and looks down.

After an hour we have advanced through the bulk of the interview, and the girls, Isabel, Marleny, and Jisela, are no longer so shy around us. They are playing hand-games and tugging and poking one another quietly alongside their mother, stopping occasionally to listen in on the conversation and to see if we are watching them. The girls are listening when their mother tells us that they will not go to high school.

“I’m worried because I am alone and the only thing that I can do to make money is weave bracelets. Because I don’t have any other forms of work and I don’t have more income, it is difficult for me to put my kids through school. I don’t think that I am going to be able to send my girls to high school. Even now, the scholarship does not cover all of my son’s expenses and I have to help him so that he doesn’t lose it, but supporting him with the little that I have means that there is nothing left for the rest.”

Although they listen, the girls are too young to understand what it means that they will not go to high school. But their mother, having never studied herself, knows quite well, and for the first time since the interview began, her adept hands have left the bracelets that she has been weaving in order to brush away the tears that she can no longer hold back.

hand woven friendship bracelets

Hand woven bracelets are created by artisans in Ecuador

“I never went to school at all”, she says, “but on Monday a literacy brigade is coming, and I have signed up for classes. They are going from house to house and I hope to learn a little. Not being able to read I feel like I don’t have a mind, like I am just a machine with limbs, a body that works but doesn’t know how to think.”

The bracelets, which now lay in a loose pile in her lap, are those she makes to generate income for her family. Given that her girls are still young, she works at home and makes bracelets in-between child-rearing, cooking, cleaning and growing food for her family on a small plot. Her exact job is to tie the ends of the bracelets, and she is paid 80 cents for every 12 bracelets that she ties. Given her ability to tie quickly, she is able to get through about 1,200 bracelets a month, providing her with roughly $80 dollars of income. This, combined with the $50 dollar monthly Solidarity Bond that she receives from the government, gives her a total of $130 dollars a month on which to support her family of five. As part of the survey, we closely calculate her monthly expenses, including water, electricity, food, education, health and transportation, among others. These total exactly $131 dollars a month.

As the interview continues, she resumes her work on the bracelets, and Isabel, Marleny and Jisela go back to playing. Without the opportunity to attend high school, the girls will start working at age 12 or 13, most likely as maids in neighboring cities, or more locally in agriculture where their pay will be less than that of men: $8 dollars a day instead of $10. The girls will also be at higher risk of teen pregnancy, single motherhood and domestic violence. Thanks to the scholarship program, their brother’s future is brighter. He too will be limited by lack of university studies, but he will have many more opportunities than his sisters because as a result of the scholarship program he WILL finish high school.

We finish the last of our corn and potatoes, pack up our bags and stand to leave. Giggling, the girls pull each other down the path in order to be able to give us a long farewell from the road. Before we follow them, we shake hands with David, and then his mother. As we exchange our thanks, she grips my hand just a little bit longer, and a little bit tighter. Thus holding my attention she assures me:

“I want very much for David to finish high school, and I am happy and grateful for the support that you are giving me. God willing, he WILL finish high school, and as long as he has the support of the scholarship, I, as his mother, will make every sacrifice possible to see him through.”


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The Soul of Statement Necklaces

statement necklaces
statement necklace

Dramatic statement necklace with all natural elements.

During the 1970’s artisan and handmade jewelry became popular. The huge hits were handmade earrings as well as statement necklaces. While never really going out of style, artisans and handmade jewelry are making a comeback as women move express their creativity, individuality and even their values in their dress and fashion decisions. There is also a more modernized approach with a more global inclusiveness, and openness to indigenous patterns and colors along with a pull for more unusual and eco-friendly materials.

Artisans and handmade designers have stepped up their game when it comes to designing their own unique jewelry collections. To compete with the new and modern jewelry that is being mass produced and sold in the market today, they also need to create something unique and beautiful that will stand out.

The Challenge

The challenge for creators is coming up with new designs that will attract their customers, while staying true to the art that forms the soul of their creations. I especially love to work with artisans who are inspired by nature and who enjoy working with natural elements like seeds and nuts. There can be nothing molded about these types of materials, instead an artisan selects the materials to go with the idea of their pattern. But the very nature of the materials also influences the pattern, making for an organic and unique piece.

statement necklace

Colorful statement necklace with Achira seeds and Coconut

A New Designer of Statement Necklaces

I have recently introduced new statement necklaces at from a new artisan. Anna is an indigenous woman working to develop her own business in Otavalo. She obtains most of her sales through dealing with the tourists who come through Otavelo. Through we are also working at bringing her work to a world-wide market.

In her work, she often incorporates tagua, coconut, acai and other more exotic seeds such as pambil, and achira. She has an eye for creative flair and often designs necklaces that are a touch asymmetrical. One of my favorites is one she makes out of coconut and a naturally red seed from the Amazon Rainforest. This long necklace would be ideal against a basic dress with a low neckline. It draws attention to the face and neck. Its stunningly elegant considering it’s basic materials. There aren’t any dyes or paints, no gold or silver, just beautiful, natural elements.

Check out some of Anna’s work – just click on the pictures included in this article. Let me know what you think in the comments.

crotchet necklace

Hand crotchet necklace with seeds and coconut.

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Artisan Works: Storybooks of Ancient Culture

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